"Compare the audience pleasures offered by two comedy programmes. Give examples from the programmes."
The two comedy programmes The Inbetweeners (2008~2010, E4) and QI (2003~ , BBC2) provide the audience with different types of pleasures due to the differences in their audience and ethos. When compared, QI is considered more mainstream because of its wider range of audience although highly concentrated over the 30 age mark. It can easily appeal to more people and is therefore broadcast on BBC as well as having reruns on other channels as well.
The audience pleasures that QI provides is directly linked to the PSB values of BBC: to inform, entertain, and educate. Although QI's main objective is to entertain the audience through portraying Alan Davies as a lesser being, it also educates the audience through obscure information and unexpected answers. This creates a passageway to another audience pleasure that The Inbetweeners lacks, active communication. QI stars a number of participants who are looking to find the correct answer to the question that Stephen Fry asks, which can then be indirectly engaged by the audience at home. By getting certain answers correct, the audience is more likely to be attracted to the show's momentum and get involved. Although this is true, the audience as well as anyone on the show rarely get answers correct and are bound to feel a lack of knowledge. Because of this, the audience pleasure cannot be successfully achieved without Stephen Fry's welcoming attitude, and taking a softer approach to people's futility.
The Inbetweeners on the other hand provide pleasure to its audience in a completely different manner. To start with, it is a comedy that focuses on a niche-audience of older teenagers and young adults. It is also mainly targeting the male population as the storyline is based around typical teenagers in a school life. This age group is uncommonly interfered by any other because the show contains language which is very disturbing. This has been done so that the show seems as realistic as possible for the audience. The main audience pleasure gained from The Inbetweeners is relations with the characters. People watching the show are often entertained by situations which they can relate to from their school life and laugh at the characters because they know how it feels to be in their shoes.
☆ Garry Na ☆
A Blog of a CFCS media student
22.4.13
12.3.13
'Gladiator' Opening Sequence
In the opening sequence of 'Gladiator', narratives which fit the genre of action and adventure take place. First of all, the representation of characters and the two opposing sides make it clear who are the 'good' hero and who are the villains. When the Roman soldiers are being shown, there is a sense of respect and admiration around. This can be seen from how the soldiers address their leader; with gentle bows and suitable behaviors. The Romans also move in an orderly queue and preparing for battle, which shows the human side of the battalion. It is rather obvious who the main 'hero' in the opening sequence is because of the way he is dressed and acts. He has an unlikely good - looking face for a warrior and wears additional clothing above his platebody. He also gives orders in a ruling manner which presents him as someone in a high status. This makes the audience feel supportive towards the Romans and the hero in the pack. The German opposition on the other hand, have old - fashioned kit and act in a disorganised barbaric way. They produce intimidating sounds and have uncomforting images, quite different from the Romans. Their disorientated looks is stereotypical narrative
There is combat involved, which is also a typical action and adventure narrative. As the Germans show up, suspense starts building up and the spectacular scenery provides what is a battlefield for the armies. There isn't alot of speed and motion prior to the battle which shows how calm the Roman soldiers were. The Germans decapitate a Roman messenger which hints that the people there are in jeopardy. This makes the audience feel nervous and more attracted to further events that would take place in the film.
There is combat involved, which is also a typical action and adventure narrative. As the Germans show up, suspense starts building up and the spectacular scenery provides what is a battlefield for the armies. There isn't alot of speed and motion prior to the battle which shows how calm the Roman soldiers were. The Germans decapitate a Roman messenger which hints that the people there are in jeopardy. This makes the audience feel nervous and more attracted to further events that would take place in the film.
11.3.13
Mission Impossible Opening
Mission Impossible 2 is an Action and Adventure film which also carries some characteristics of a thriller. The opening sequence involves a scene where the main character is climbing a cliff with bare hands in a uncivilized place. The narrative in the screening fits the genre of action and adventure. First of all, the background of the opening creates a sense of suspense and nervousness. For instance, when the character jumps from one rock to another and slips to the edge of the cliff, a bird's eye camera shot is used to emphasize the height in which the character is in. This makes the audience worry and makes them feel like part of the film. Also, there are many wide shots to show to the audience the basic image of what kind of place the character has been placed in. The ambient sound of panting additionally presents motion and difficulty in the action involved.
Secondly, a message is delivered from a helicopter to the main character, presenting him with a mission to look for a certain item with help of a civilian around the area. This is very typical of an action and adventure genre film because the message for-sees an adventure that lies ahead of the character. This makes the audience think about what lies ahead and makes connection with the events presented prior to the message. At this point, the audience get the idea that the character is the hero in the genre because he has been chosen for the task. Additionally, he is good - looking which is typical of people on the 'good' side. At the end of the opening is an explosion of the message which is another typical event in an action and adventure film.
6.3.13
About 'The IT Crowd'
The IT Crowd is a British sitcom by Channel 4, written by Graham Linehan, and produced by Ash Atalla. Set in the London offices of the fictional Reynholm
Industries, the show revolves around the three staff members of its IT
department: a geeky genius named Maurice Moss, the workshy Roy Trenneman, and
Jen Barber, the department head/Relationship manager, who knows nothing about IT.
Moss
and Roy, the two technicians, are portrayed as socially inept geeks or, in Denholm Reynholm's words,
"standard nerds". Despite the company's dependence on their services,
they are despised, ignored, and considered losers by the rest of the staff.
Roy's exasperation is reflected in his support techniques of ignoring the phone
in the hope it will stop ringing. He expresses
his personality by wearing a different geek T-shirt in each episode. Moss's wide and intricate knowledge of
all things technical is reflected in his extremely accurate yet utterly
indecipherable suggestions, while he demonstrates a complete inability to deal
with practical problems like extinguishing fires and removing spiders.
Jen, the newest member of the
team, is hopelessly non-technical, despite claiming on her CV that she has "a lot of experience
with computers". As Denholm, the company boss, is equally tech-illiterate,
he is convinced by Jen's interview bluffing and appoints her head of the IT
department. Her official title is "relationship manager", yet her
attempts at bridging the gulf between the technicians and the business
generally have the opposite effect, landing Jen in situations just as ludicrous
as those of her team-mates.
Being
a situation comedy, the audience of ‘The IT Crowd’ gain entertainment from
everyday situations that revolve around the main characters of the show. They are enlightened by the stupidity of the people in the sitcoms and take an upper ground, as smarter people. The show can be watched without much thinking about situations as the sole purpose of the show is to entertain the audiences.
4.3.13
About QI (Quite Interesting)
QI (Quite Interesting) is a British comedy panel quiz show created and co - produced by John Lloyd, hosted by Stephen Fry, and featuring permanent panelist Alan Davies. Most of the
questions are extremely obscure, making it unlikely that the correct answer
will be given.
Stephen Fry as
the host, takes an omniscient position where he leads the show knowing the
answers to the questions presented throughout the game. He then decides whether
he will deduce or award points depending on how interesting the answer given
is. Alan Davies is shown on the show as a permanent member whilst the other 3
people are swapped around every show. He is the centre of humourous abuse, and
also is the first person to give a wrong answer to lead the show.
Because of the show's expectation that hardly anyone would be able to
give a correct answer without significant prompting, it instead encourages
sheer interestingness, which is how points are mainly scored. Negative
scores are common, and occasionally even the victor's score may be negative. As the contestants in the show are
generally 'destroyed' of their existing knowledge, the audience gets a
confidence boost and is embraced by it. They feel they are in a 'smarter'
position, and along with the humour get to enjoy the show.
24.5.12
SITCOM CHARACTER PROFILE
In this session, we each make a character profile of the character that we are playing.
I am playing Mr. Young-Ho Moon, a chef in the restaurant.
I am playing Mr. Young-Ho Moon, a chef in the restaurant.
- Came from Korea to cook exotic dishes.
- Very hard working, devoted to the restaurant
- Short tempered from Brooks not working
- Prop: Chef's hat, white apron, and cooking supplies (Other props to express Korean feeling)
16.5.12
Questions for prep.
2. First of all, the starting soundtrack provides a mysterious atmosphere to the film beforehand. Along with the singing voice, the roar of thunder is heard in the background making it seem dangerous, and as the character's voice kicks in, the mysterious song slowly reaches its peak and suddenly ends, leading to a adventurous tune containing both orchestral and electronic sounds. There is no signature tune for a certain character, but the tone of the music diverts as different scenes come and go.
The camerawork features numerous angles commonly used in an action and adventure film, and also films in general. The start of the trailer is a wide shot featuring a mysterious man in the rain. This adds curiosity to the future events, and serves as a profound start. There are high angle shots focusing on the castle and a bird's eye view of the playing field to increase visual size. The ship is taken from a low angle shot to make it look as if it's an extremely great feature almost as if it's the arrival of a very high ranked person. There are extreme wide shots to show the size of the maze, and close ups on the main character to clearly show expressions.
The editing in the trailer mostly includes special effects in magical spells and computer graphics of exotic monsters such as dragons and mermen. The people flying on broomsticks conveys the image that the place is indeed 'magical' and this effect is equally achieved from the ship coming from under the sea as well as flying horses. People breathing fire is a computer graphic effect of showing power, and imaginary creatures are made in the same way. The combat spells used in the trailer not only show the capability of wizards but also the fact that the film contains action along with fantasy.
The most significant mise-en-scene in the film is the exotic places that the adventure takes place. The tasks that the character has all have different backgrounds and the content of what must be done. This produces a magical setting to a adventurous quest. Also, the fact people fly on broomsticks shows a stereotypical idea of a wizard world.
3. In the trailer, people are not only presented in a stereotypical way but also a factual way. As long as the setting is a 'school', the students are all formally dressed in school uniforms to express as if it was the actual reality. In contrast to the 'nice house' of Gryffindor, the 'evil house' of Slytherin is consisted of people that actually look like bad people with smirks and hatred written on their faces. Even though the story is based throughout a school, these little bits of expression change the atmosphere of the tale. The main character stands out between everyone with focused views and a frequent presentation.
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